Chapter 1 Introduction Cepstrum is a term coined by Bogert, Healy, and Tukey from observations of signals containing echoes and unique properties of the logarithm of its power spectrum [1]. This term, which consists of reversing the letters spec- in the … Continue reading Cepstrum Analysis
Chapter 1 Introduction Linear predictive coding (LPC) is a tool used in digital signal processing that can estimate a signal x[n] based on its past samples [1]. As well, it can be used to estimate the spectral envelope of a given … Continue reading Linear Prediction Coding
A new form of gestural controller, called ”The Batons” was designed as part of the project for the courses MUMT 619: Input Devices for Musical Expression and MUMT 620: Gestural Control of Sound Synthesis. The Batons are two wireless electronic … Continue reading The Batons
A page for the final project write-up for the course MUMT 618 – Computational Modeling of Musical Acoustics. Introduction Virtual analog synthesis uses physical models and algorithms to recreate sounds generated by analog circuitry. Virtual analog runs the gamut of … Continue reading Computational Model of Moog VCF
The following page is the write-up for the Final Project of MUMT 306 – Music and Audio Computing I, for which the MIDI Drum Kit was designed. Objectives This project aims to develop a prototype electronic drum kit using sensors, … Continue reading MIDI Drum Kit
Patrick Ignoto 